BPC00539 Copper-plate soft ground etching by and after Samuel Prout and published by R. Ackermann, 101 Strand in March 1816 for Prout’s ‘Studies of Boats and Coast Scenery for Landscape and Marine...Read More
BPC00509 The Pavilion at Brighton’ Aquatint engraving by S. Hollands, 11 Vauxhall Walk, Lambeth, Oct 17th 1818, one of only two oval prints, there are 6 small circular views. This shows Holland’s ...Read More
BPC00136 Aquatint published by J Izard, St James’s Street, Brighton, c1810. Images of Brighton describes the West Indian merchant, J B Otto, as the financier and developer of the Royal Crescent. Un...Read More
BPC00461 There is a close-up available of this image: Click here to view the detail Lithograph by Vincent Brooks after James Lambert. Printed by the lithographers Day & Son, published by John Beal...Read More
BPC00460 There is a close-up view of this image. Click here to view the detail Aquatint engraving by D Havell after Joseph Cordwell. Published by Cordwell from 20 Great East Street, Brighton, August 1...Read More
BPC00359 Copperplate line engraving by W B Cooke after the original drawing by S Owen. Published by J Murray, June 1814. The artist Samuel Owen (1769-1857) was a watercolourist of mostly marine subjec...Read More
BPC00345 (this is a very small original image – see note on image sizes) Copperplate line engraving by J Greig after J Hassell from the Antiquarian Itinerary, comprising specimens of architectur...Read More
BPC00322 Aquatint, no artist or engraver named, published by Morris & Co, c1810. Born in 1726, Martha ‘dipped’ from around 1750 until ill health forced her retirement in 1814. She died in 1815...Read More
BPC00289 Copperplate line engraving by Woolnoth after the drawing by J P Neale. Published by John Harris, St. Paul’s Churchyard, London, 1 June 1813, and illustrated as the frontispiece in The Beaut...Read More