BPC00478 Wood engraving published in ‘extra-illustrated’ editions of J A Erredge’s History of Brighthelmstone, 1862. This second Brighton workhouse was built in 1821 and closed towards the end ...Read More
BPC00374 Wood engravings by one of the Dalziel brothers, signed on the far right tombstone of the lower print. Published by Charles Knight in The Tourists’ Guide to The Land We Live In, 1854. While...Read More
BPC00358 Copperplate etching by W T Quartermain, an amateur artist who was the inspector for the Corporation Fire Brigade and in the Office for Testing Gas Meters. This view is taken from the north, a...Read More
BPC00351 Aquatint engravings. The church view was published in J Rouse’s Scraps of Sussex, c1830. The pictures of the font are not recorded, but to see them stuck together on old paper might indica...Read More
BPC00353 Aquatint engraving by and after Robert Havell and published by him September 1824. Subsequently published in E W Brayley’s 1825 Topographical Sketches of Brighthelmstone. The large buildin...Read More
BPC00356 (this is a very small original image – see note on image sizes) Lithograph from The Stranger’s Guide in Brighton, published by W Saunders, 112 St. James’s Street, Brighton, 1855. This i...Read More
BPC00348 (this is a very small original image – see note on image sizes) Steel engraving by J S & Co, and numbered 1517 in the publisher’s reordering catalogue. Images of Brighton 683 See ...Read More
BPC00344 Aquatint engraving by Joseph Cordwell and published by him, January 1825. The foundations of the church date to Norman times. In the 1790s the tower was given the narrow spire that originally...Read More
BPC00359 Copperplate line engraving by W B Cooke after the original drawing by S Owen. Published by J Murray, June 1814. The artist Samuel Owen (1769-1857) was a watercolourist of mostly marine subjec...Read More
BPC00357 Aquatint engraving by R W Sylvester, published by C & R Sickelmore in their Descriptive Views of Brighton, 1824 and in subsequent editions. Illustrated in The Victorian Development of th...Read More